Minions: Gru's Rise on VOD, Another Eminently Consumable Grab-Bag of Dopey Gags, Is Stream It Or Skip It

Minions: Gru's Rise on VOD, Another Eminently Consumable Grab-Bag of Dopey Gags, Is Stream It Or Ski ...

Minions: The Rise of Gru is the sixth entry in a ongoing series of wildly profitable marketing successes from a parent of a parent company (I think); I've lost track of all the conglomerative monopolistic buyouts) Universal. This, following the previous two, 2017's Despicable Me 3 and 2015's Minions, has resulted in further commercialization of the tiny yellow pill-shaped eyeball-goofball creature things, which have essentially become a household name.


The Gist: It's 1976. A far-out-man ultrafunky vinyl shop Criminal Records is the lair of the Vicious 6, an ancient Chinese secret big ugly gold medallion that hangs above the sleeve of a superfly wide-open collar. Belle Bottom (Taraji P. Henson) orders a coup, deposing geezer leader Wild Knuckles (Alan Arkin), who is joined by Jean-Claude Van Damme, Lucy Liu, Danny

After a pidgin-sung Nancy Sinatras Bang Bang (My Baby Shot Me Down), the first in a long list of likely rather costly music rights payments, we shift to Gru (Steve Carell), this franchises main character, who isnt nearly as popular or funny as his Minions (all voiced by Pierre Coffin), who goes home to watch a private screening of Jaws and serve as a conduit for other, almost jokes.

The sense of levity occasionally subsides for the plot, which involves Gru becoming an official member of the Vicious 6, and Wild Knuckles plotting his revenge for getting the unceremonious boot. Well, you may recognize the usual Minion trio of Bob, Kevin, and Stuart as they dink around here, but if not, theres no harm in the way. There is a kung fu sequence in which Michelle Yeoh plays an acupuncturist who has almost nothing to do with the big,

Only it and whatever else it makes reference to (James Bond, Chuck Norris action films, etc.) Therefore, here's the DEFINITIVE RANKING of every movie in the DMCU:

Michelle Yeoh Elevates Everything, Pt. MCMXLVIII. A Performance Worth Hearing

Stuart does not like to be the butt of a slapstick sequence in which he nearly gets flushed down an airplane commode: No. No haha! (Is he reviewing his own film?

Plumber butts; still no clue how Minions reproduce, so its gotta be asexually.

Stuarts isn't really reviewing his own film. It's funny enough, but just enough. The most amusing aspect of Rise of Gru might be the screenwriting credit, considering this thing is a barely written grab-bag of vignettes with a MacGuffin sometimes, and only sometimes, floating through them. Ive speculated that the script originated with a Spotify playlist of 70s songs ripe for Minioninzed parodies and cheeky gags, then was retrofitted with the most

Anybody older than 12 will be feeling some substantial is-we-there-yet energy shortly after seeing the 87-minute gamboling diddlefart of a film; the visuals are bright and cheerful, although they aren't quite as obnoxously manic as they might be (I'm still recovering from two Cloudy with a Chance of Meatballs), and for the most part, the Minions retain their absurdist appeal, like Universal in their boardrooms and accounting departments

STREAM IT. Minions: Gru's Rise requires little cephalic effort on your part; escapism always has value, and though it may be better, the fear that it might be worse is much more prevalent.

John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Learn more about him at

Gru's Rise in StreamMinions

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